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The last two charcoal and pastel drawings that I competed were remakes of figurative sketches that I had used a reference material for paintings on canvas and tiles. The standing woman was from Haiti and had a wonderful golden color, a delicate form and fine features. She was shivering dressed in a thin robe in a cold studio in winter - hence the unrelaxed pose. Pebelle was her name and I used this drawing in three paintings.
The second black and white sketch was used in one painting, the whereabouts now unknown, and in two or three tile paintings. I had intended to do the entire sketch over again on another piece of paper because her foot ran off the edge of the composition. I opted for moving the foot on the original drawing instead.
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